St. Louis didn’t have a neighborhood officially called “Harlem,” but it did have areas that played a very similar cultural role for Black life, arts, and business — most notably The Ville.

The Ville = St. Louis’ “Harlem.”

From the early 1900s through the mid-20th century, The Ville (north of Delmar Boulevard) was the heart of Black St. Louis. Because of segregation and redlining, it became a concentrated center of:

  • Black-owned businesses
  • Music, arts, and nightlife
  • Professional Black families (doctors, teachers, lawyers)
  • Civil rights organizing

Just as in Harlem, New York, it was a place where Black culture flourished despite segregation.

Big names tied to The Ville

Some seriously iconic people lived in or passed through the neighborhood:

  • Chuck Berry
  • Tina Turner
  • Josephine Baker
  • Miles Davis
  • Dick Gregory
  • Annie Malone (one of the first Black female millionaires in the U.S.)

That concentration of talent is a big reason people compare it to Harlem.

Why you might’ve read “St. Louis’s Harlem.”

Writers and historians sometimes informally call The Ville “the Harlem of St. Louis” because:

  • It filled the same cultural and economic role
  • It was shaped by similar Great Migration patterns
  • It declined later for similar reasons (desegregation + disinvestment)

Significant historical landmarks:

The Ville is packed with history. Here are some of the most important historic buildings and sites in the neighborhood, with why they matter:

🏛️ Sumner High School (1915) 4248 W. Cottage Ave

  • One of the oldest Black high schools west of the Mississippi
  • Educated an astonishing number of prominent Black leaders
  • Alumni include Tina Turner, Dick Gregory, Arthur Ashe, and more
  • Still standing and still iconic

🏠 Shelley House (c. 1870s) 4334 Easton Ave (now Dr. Martin Luther King Dr.)

  • Home of George L. Vaughn, a major civil rights attorney
  • Center of legal strategy against segregation in St. Louis
  • Listed on the National Register of Historic Places

🏫 St. Nicholas Elementary School (1898)

  • Early and important institution for Black education
  • Part of the broader educational backbone of The Ville

🏡 Annie Malone House (c. 1910), 2612 Annie Malone Dr

  • Home of Annie Turnbo Malone, one of the first Black female millionaires in the U.S.
  • Founder of Poro College and the Annie Malone Children & Family Service Center
  • Her success helped fuel Black wealth and philanthropy in The Ville

🏘️ The Ville’s Historic Homes (Cottage Ave, Maffitt Ave, C.D. Banks Ave)

  • Rows of early 20th-century brick homes built for Black professionals
  • Doctors, teachers, musicians, and entrepreneurs lived here
  • Not one building, but collectively hugely important

⛪ St. Matthew the Apostle Catholic Church (1915)

  • One of the first Catholic parishes serving Black residents in the area
  • Played a role in community organizing and education

🎶 Chuck Berry’s Childhood Home

  • Berry grew up in The Ville (exact house varies by source, but the area is well documented)
  • The neighborhood deeply influenced early rock ’n’ roll through him and others

🧱 Former Poro College Site (nearby, historically tied)

  • While not fully within today’s Ville boundaries, Poro College was closely connected
  • A massive Black-owned business and campus that shaped the area’s economy

🏘️ The Ville Historic District

  • The neighborhood itself is listed as a National Register Historic District
  • Protects the street layout, housing styles, and cultural significance

Why these buildings matter

Together, they tell the story of:

  • Black self-determination under segregation
  • A thriving cultural and professional ecosystem
  • Why The Ville earned comparisons to Harlem

Why African American History Month matters

At its core, Black History Month exists because American history was deliberately incomplete for a long time.

For generations, schools, textbooks, museums, and public memory have either:

  • Left Black people out entirely
  • Reduced them to slavery only
  • Or framed their contributions as “side stories” instead of central ones.